The 2014-2015 Season shows will be performed at 701 Whaley.
Five Guys Named Moe
Directed by Lou Warth Boeschen
September 18-21, 2014
Book by Clarke Peters
Music and Lyrics by Louis Jordan
His woman left him, he's broke, and it's almost five o'clock in the mornin'. But don't be worryin' 'bout our hero, Nomax. Out of Nomax's '30s-style radio pop FIVE GUYS NAMED MOE. They cajole, wheedle, comfort and jazz him with the whimsical hit songs of Louis Jordan, one of the most beloved songwriting talents of the twentieth century. With more than fifty top ten singles on the rhythm and blues charts, this great composer and saxophonist brought a popular new slant to jazz that paved the way for the rock-and-roll of the 1950's.
The Dining Room by A.R. Gurney
Directed by Daniel Gainey
November 6-9, 2014
The play is set in the dining room of a typical well-to-do household, the place where the family assembled daily for breakfast and dinner and for any and all special occasions. The action is comprised of a mosaic of interrelated scenes-some funny, some touching, some rueful-which, taken together, create an in-depth portrait of a vanishing species: the upper-middle-class WASP. The actors change roles, personalities and ages with virtuoso skill as they portray a wide variety of characters, from little boys to stern grandfathers, and from giggling teenage girls to Irish housemaids. Each vignette introduces a new set of people and events; a father lectures his son on grammar and politics; a boy returns from boarding school to discover his mother's infidelity; a senile grandmother doesn't recognize her own sons at Christmas dinner; a daughter, her marriage a shambles, pleads futilely to return home, etc. Dovetailing swiftly and smoothly, the varied scenes coalesce, ultimately, into a theatrical experience of exceptional range, compassionate humor and abundant humanity.
Broadway Bound by Neil Simon
Directed by David Britt
January 15-18, 2015
Finalist! 1987 Pulitzer Prize in Drama
Part three of Neil Simon's acclaimed autobiographical trilogy finds Eugene and his older brother Stanley trying to break into the world of show business as professional comedy writers while coping with their parents break-up and eventual divorce. When their material is broadcast on the radio for the first time, the family is upset to hear a thinly-veiled portrait of themselves played for laughs.
Stick Fly by Lydia R. Diamond
Directed by Bakari Lebby
March 12-15, 2015
The affluent, African-American LeVay family is gathering at their Martha's Vineyard home for the weekend, and brothers Kent and Flip have each brought their respective ladies home to meet the parents for the first time. Kent's fiancée Taylor, an academic whose absent father was a prominent author, struggles to fit into the LeVay's upper-crust lifestyle. Kimber, on the other hand, is a selfdescribed WASP who works with inner-city school children, fits in more easily with the family. Joining these two couples are the demanding LeVay patriarch Joe and Cheryl, the daughter of the family's longtime housekeeper. As the two newcomers butt heads over issues of race and privilege, longstanding family tensions bubble under the surface and reach a boiling point when secrets are revealed.
Lend Me a Tenor by Ken Ludwig
Directed by Jocelyn Sanders
May 7-10, 2015
Lend Me A Tenor is set in September 1934. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Otello. The star arrives late and, through a hilarious series of mishaps, is given a double dose of tranquilizers and passes out. His pulse is so low that Saunders and his assistant Max believe he's dead. In a frantic attempt to salvage the evening, Saunders persuades Max to get into Morelli's Otello costume and fool the audience into thinking he's Il Stupendo. Max succeeds admirably, but Morelli comes to and gets into his other costume ready to perform. Now two Otellos are running around in costume and two women are running around in lingerie, each thinking she is with Il Stupendo. A sensation on Broadway and in London's West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter. It was directed on Broadway by Jerry Zaks, and in London by David Gilmore.